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The fourth film in the franchise sticks to the formula and the strengths of its star, a game Eddie Murphy, but lacks comic spark or a reason for being.
Times columnist Glenn Whipp remembers Donald Sutherland, talks with Ewan McGregor and offers a set of early Emmy predictions in his weekly newsletter.
Columnist Glenn Whipp takes an early look at how Emmy voters might be leaning as voting is underway for this year’s awards.
‘A Gentleman in Moscow’ asked the actor to age decades, play a father and a lover, and explore the inner life of a man well versed in grief and loss who never loses his zest for life. ‘The experience of making this show is why I wanted to be an actor,’ he says.
Los Angeles Times columnist Glenn Whipp breaks down the Emmy races for drama and comedy in his weekly newsletter, and revisits “Birth” with Nicole Kidman.
Saluting the production company’s socially committed work, we choose our favorites, including major films like “An Inconvenient Truth,” “Flee” and “Spotlight.”
Thanks to the strikes and the end of shows like ‘Succession,’ the Emmys’ drama categories have thinned. The move of ‘Shōgun’ will bolster the ranks.
Who will join ‘Abbott Elementary’ and ‘The Bear’ in the comedy categories? Let’s take a look.
Times columnist Glenn Whipp notes in his newsletter that there’s going to be some heartbreak for a few contenders in the Emmys’ limited series categories.
In her new movie, “Tuesday,” and on her “Wiser Than Me” podcast, Julia Louis-Dreyfus goes deep on a subject we all must confront — how things end.
